

Fire
Kevin Martinâs FIRE is the first solo full-length album under The Bug moniker for seven years and could not be better timed, or more needed. The third exhilarating part of the incendiary urban triptych that began with 2008âs âLondon Zooâ via 2014âs 'Angels & Devils' - is fourteen tracks that immolate the synapses and cinematically take you from arcing evocations of lockdowned city-scapes to swooping deep-focus close-ups of Martinâs psyche.
For Martin, the album is both a response to the unique circumstances of the past year but also a chance to reflect his own journey from reclusive sound-obsessive to family man. Itâs the Bugâs best yet, possibly the most ferociously realised and immensely moving music Martin has ever made, and still touches on those initial cravings and impulses that first propelled âLondon Zooâ into your world like a pipe bomb through your letterbox. Itâs a HUNGRY record in all senses.
âI've always been addicted to the physicality and intensity of sound: I started The Bug because I wanted to make music for a soundsystem I had in storage, and the live experience of The Bug has always been something I wanted to reflect on recordâ Martin says. âIâm always asking - how can I ramp this up MORE? How can I get people more out of control? For me a live show should be unforgettable, should alter your DNA, or scar you for life in a good way. âWHAT the FUCK?â is the reaction I want - insane is a good reaction especially at a time when thereâs so much control in how people consume music and are pacified culturallyâ.
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Description
Kevin Martinâs FIRE is the first solo full-length album under The Bug moniker for seven years and could not be better timed, or more needed. The third exhilarating part of the incendiary urban triptych that began with 2008âs âLondon Zooâ via 2014âs 'Angels & Devils' - is fourteen tracks that immolate the synapses and cinematically take you from arcing evocations of lockdowned city-scapes to swooping deep-focus close-ups of Martinâs psyche.
For Martin, the album is both a response to the unique circumstances of the past year but also a chance to reflect his own journey from reclusive sound-obsessive to family man. Itâs the Bugâs best yet, possibly the most ferociously realised and immensely moving music Martin has ever made, and still touches on those initial cravings and impulses that first propelled âLondon Zooâ into your world like a pipe bomb through your letterbox. Itâs a HUNGRY record in all senses.
âI've always been addicted to the physicality and intensity of sound: I started The Bug because I wanted to make music for a soundsystem I had in storage, and the live experience of The Bug has always been something I wanted to reflect on recordâ Martin says. âIâm always asking - how can I ramp this up MORE? How can I get people more out of control? For me a live show should be unforgettable, should alter your DNA, or scar you for life in a good way. âWHAT the FUCK?â is the reaction I want - insane is a good reaction especially at a time when thereâs so much control in how people consume music and are pacified culturallyâ.




















