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Mas Amable
Genius dembow rhythm science from DJ Python on his 2nd album for Anthony Naplesâ and Jenny Slatteryâs Incienso.
Following from the reticulated deep house-paced reggaeton hybrids of that acclaimed 2017 debut, the new side by Brian Piñeyro âMas Amableâ takes a rambling, sidewinding trip exploring slippery, mutable 90/180bpm metrics with a serpentine guile that surely lives up to his moniker.
Imagine Beatrice Dillon jamming with Gescom and Kelman Duran, and youâve nearly got a grasp on this incredibly constructed album. Across 50 minutes of seamlessly arranged transitions from lush field recordings to hip-gripping dembow permutations and semi-conscious and trippedout vocals, Python dangles the dance by a fine conceptual thread that ties the constant rhythmic chronics to their subtly shifting tonal/textural variables. Call it ambient-jungle-dancehall, avantdembow, deep reggaeton, whatever; itâs just an incredible record for lovers of rhythm and sound of all stripes.
Starting up with five minutes of rustling, shoreside ambience in âTe ConocĂâ, the album elegantly and rudely shifts its weight between seven mutations of dembowâs tressilo drum pattern and junglist markers, toggling the pressure gauge from gently propulsive sway in âPiaâ to tighter, darker steppers type in âAlejandroâ and wavey whistling melodies in âoooophiâ, before technoid neuro D&B stabs light up âDescalesâ and it all fades out in the narcotically effective downstroke and tripped vox of âADMSDPâ, and slunks into the deep blue reggaeton electronica of âJuntosâ and âmmmmâ.
Cast somewhere between the horizontal and vertical, and thus primed for dancehall or late night satisfaction, whatever angle itâs approached from, âMas Amablesâ is a unique and richly immersive experience that will surely rank among the definitive records of the year
Following from the reticulated deep house-paced reggaeton hybrids of that acclaimed 2017 debut, the new side by Brian Piñeyro âMas Amableâ takes a rambling, sidewinding trip exploring slippery, mutable 90/180bpm metrics with a serpentine guile that surely lives up to his moniker.
Imagine Beatrice Dillon jamming with Gescom and Kelman Duran, and youâve nearly got a grasp on this incredibly constructed album. Across 50 minutes of seamlessly arranged transitions from lush field recordings to hip-gripping dembow permutations and semi-conscious and trippedout vocals, Python dangles the dance by a fine conceptual thread that ties the constant rhythmic chronics to their subtly shifting tonal/textural variables. Call it ambient-jungle-dancehall, avantdembow, deep reggaeton, whatever; itâs just an incredible record for lovers of rhythm and sound of all stripes.
Starting up with five minutes of rustling, shoreside ambience in âTe ConocĂâ, the album elegantly and rudely shifts its weight between seven mutations of dembowâs tressilo drum pattern and junglist markers, toggling the pressure gauge from gently propulsive sway in âPiaâ to tighter, darker steppers type in âAlejandroâ and wavey whistling melodies in âoooophiâ, before technoid neuro D&B stabs light up âDescalesâ and it all fades out in the narcotically effective downstroke and tripped vox of âADMSDPâ, and slunks into the deep blue reggaeton electronica of âJuntosâ and âmmmmâ.
Cast somewhere between the horizontal and vertical, and thus primed for dancehall or late night satisfaction, whatever angle itâs approached from, âMas Amablesâ is a unique and richly immersive experience that will surely rank among the definitive records of the year
$31.31
Mas Amableâ
$31.31
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Description
Genius dembow rhythm science from DJ Python on his 2nd album for Anthony Naplesâ and Jenny Slatteryâs Incienso.
Following from the reticulated deep house-paced reggaeton hybrids of that acclaimed 2017 debut, the new side by Brian Piñeyro âMas Amableâ takes a rambling, sidewinding trip exploring slippery, mutable 90/180bpm metrics with a serpentine guile that surely lives up to his moniker.
Imagine Beatrice Dillon jamming with Gescom and Kelman Duran, and youâve nearly got a grasp on this incredibly constructed album. Across 50 minutes of seamlessly arranged transitions from lush field recordings to hip-gripping dembow permutations and semi-conscious and trippedout vocals, Python dangles the dance by a fine conceptual thread that ties the constant rhythmic chronics to their subtly shifting tonal/textural variables. Call it ambient-jungle-dancehall, avantdembow, deep reggaeton, whatever; itâs just an incredible record for lovers of rhythm and sound of all stripes.
Starting up with five minutes of rustling, shoreside ambience in âTe ConocĂâ, the album elegantly and rudely shifts its weight between seven mutations of dembowâs tressilo drum pattern and junglist markers, toggling the pressure gauge from gently propulsive sway in âPiaâ to tighter, darker steppers type in âAlejandroâ and wavey whistling melodies in âoooophiâ, before technoid neuro D&B stabs light up âDescalesâ and it all fades out in the narcotically effective downstroke and tripped vox of âADMSDPâ, and slunks into the deep blue reggaeton electronica of âJuntosâ and âmmmmâ.
Cast somewhere between the horizontal and vertical, and thus primed for dancehall or late night satisfaction, whatever angle itâs approached from, âMas Amablesâ is a unique and richly immersive experience that will surely rank among the definitive records of the year
Following from the reticulated deep house-paced reggaeton hybrids of that acclaimed 2017 debut, the new side by Brian Piñeyro âMas Amableâ takes a rambling, sidewinding trip exploring slippery, mutable 90/180bpm metrics with a serpentine guile that surely lives up to his moniker.
Imagine Beatrice Dillon jamming with Gescom and Kelman Duran, and youâve nearly got a grasp on this incredibly constructed album. Across 50 minutes of seamlessly arranged transitions from lush field recordings to hip-gripping dembow permutations and semi-conscious and trippedout vocals, Python dangles the dance by a fine conceptual thread that ties the constant rhythmic chronics to their subtly shifting tonal/textural variables. Call it ambient-jungle-dancehall, avantdembow, deep reggaeton, whatever; itâs just an incredible record for lovers of rhythm and sound of all stripes.
Starting up with five minutes of rustling, shoreside ambience in âTe ConocĂâ, the album elegantly and rudely shifts its weight between seven mutations of dembowâs tressilo drum pattern and junglist markers, toggling the pressure gauge from gently propulsive sway in âPiaâ to tighter, darker steppers type in âAlejandroâ and wavey whistling melodies in âoooophiâ, before technoid neuro D&B stabs light up âDescalesâ and it all fades out in the narcotically effective downstroke and tripped vox of âADMSDPâ, and slunks into the deep blue reggaeton electronica of âJuntosâ and âmmmmâ.
Cast somewhere between the horizontal and vertical, and thus primed for dancehall or late night satisfaction, whatever angle itâs approached from, âMas Amablesâ is a unique and richly immersive experience that will surely rank among the definitive records of the year
