
Secret Garden
In Spring 2021, Mike Paradinas (”-Ziq and the owner of Planet Mu) spoke to long time friend and past label signing Hannah Davidson (Mrs Jynx) about the therapeutic power of writing music when times are tough. Both had recently been dealing with the loss of a parent due to cancer, and fresh from writing Scurlage, Paradinas suggested a collaboration.
âIâve always thought Hannahâs melodic sensibilities chime well with my own,â says Paradinas, âand Iâve wanted to collaborate with her for a long time, since [her 2010 album] âShark Carouselâ in fact, because sheâd written some melodies that I wish I had.â
In a matter of weeks the two collaborated online, sending stems back and forth, each encouraging the other and fitting perfectly together.
Overall the result is an opus of deeply personal moments of grief, depicted in a feeling of serene, misty tranquility that makes it easy to get lost in. Davidson and Paradinas settled on the title âSecret Gardenâ due to the melodic vista which unexpectedly opened up before them on the final track. The album truly is a melodic exploration that is so often missed in this genre.
There are twists and turns in mood, from the pastoral loveliness of âJynxiqâ and âUnheard Melodiesâ which fall away to the dubby beats of âHi Jynxâ; the sadness of âLossâ leading into the beatless forlorn âThe Ballad of Darth Vader. The album ups the pace with the muffled kicks and warm atmosphere of âAfternoon Sunshineâ, which sets the tone for the happier mood of the second half. This all leads up to the albumâs denoeument in final track âSecret Gardenâ whose naĂŻve meandering synth melodies, orchestral accompaniment and glockenspiel end the album in happy resolution.
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Description
In Spring 2021, Mike Paradinas (”-Ziq and the owner of Planet Mu) spoke to long time friend and past label signing Hannah Davidson (Mrs Jynx) about the therapeutic power of writing music when times are tough. Both had recently been dealing with the loss of a parent due to cancer, and fresh from writing Scurlage, Paradinas suggested a collaboration.
âIâve always thought Hannahâs melodic sensibilities chime well with my own,â says Paradinas, âand Iâve wanted to collaborate with her for a long time, since [her 2010 album] âShark Carouselâ in fact, because sheâd written some melodies that I wish I had.â
In a matter of weeks the two collaborated online, sending stems back and forth, each encouraging the other and fitting perfectly together.
Overall the result is an opus of deeply personal moments of grief, depicted in a feeling of serene, misty tranquility that makes it easy to get lost in. Davidson and Paradinas settled on the title âSecret Gardenâ due to the melodic vista which unexpectedly opened up before them on the final track. The album truly is a melodic exploration that is so often missed in this genre.
There are twists and turns in mood, from the pastoral loveliness of âJynxiqâ and âUnheard Melodiesâ which fall away to the dubby beats of âHi Jynxâ; the sadness of âLossâ leading into the beatless forlorn âThe Ballad of Darth Vader. The album ups the pace with the muffled kicks and warm atmosphere of âAfternoon Sunshineâ, which sets the tone for the happier mood of the second half. This all leads up to the albumâs denoeument in final track âSecret Gardenâ whose naĂŻve meandering synth melodies, orchestral accompaniment and glockenspiel end the album in happy resolution.
























