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First Two Pages Of Frankenstein
The follow-up to 2019âs The National's top five hit album I Am Easy To Find, First Two Pages of Frankenstein was initially stalled while lead singer Matt Berninger navigated âa very dark spot where I couldnât come up with lyrics or melodies at all, and that period lasted for over a year. Even though weâd always been anxious and argued quite a lot whenever we were working on a record, this was the first time it ever felt like maybe things really had come to an end.â Instead, The National âmanaged to come back together and approach everything from a different angle, and because of that we arrived at what feels like a new era for the band,â according to guitarist/pianist Bryce Dessner, whose bandmates also include his brother Aaron (guitar/piano/bass) as well as brothers Scott Devendorf (bass, guitar) and Bryan Devendorf (drums).
First Two Pages of Frankenstein channels the groupâs revitalized chemistry into a body of work that beautifully balances elegant musicality with the Nationalâs more idiosyncratic impulses. Tracks such as âGrease in Your Hairâ and âIce Machinesâ were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, âWeird Goodbyesâ featuring Bon Iverâs Justin Vernon, was released as a standalone track last August). âTo me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,â says Aaron Dessner.
First Two Pages of Frankenstein channels the groupâs revitalized chemistry into a body of work that beautifully balances elegant musicality with the Nationalâs more idiosyncratic impulses. Tracks such as âGrease in Your Hairâ and âIce Machinesâ were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, âWeird Goodbyesâ featuring Bon Iverâs Justin Vernon, was released as a standalone track last August). âTo me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,â says Aaron Dessner.
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The follow-up to 2019âs The National's top five hit album I Am Easy To Find, First Two Pages of Frankenstein was initially stalled while lead singer Matt Berninger navigated âa very dark spot where I couldnât come up with lyrics or melodies at all, and that period lasted for over a year. Even though weâd always been anxious and argued quite a lot whenever we were working on a record, this was the first time it ever felt like maybe things really had come to an end.â Instead, The National âmanaged to come back together and approach everything from a different angle, and because of that we arrived at what feels like a new era for the band,â according to guitarist/pianist Bryce Dessner, whose bandmates also include his brother Aaron (guitar/piano/bass) as well as brothers Scott Devendorf (bass, guitar) and Bryan Devendorf (drums).
First Two Pages of Frankenstein channels the groupâs revitalized chemistry into a body of work that beautifully balances elegant musicality with the Nationalâs more idiosyncratic impulses. Tracks such as âGrease in Your Hairâ and âIce Machinesâ were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, âWeird Goodbyesâ featuring Bon Iverâs Justin Vernon, was released as a standalone track last August). âTo me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,â says Aaron Dessner.
First Two Pages of Frankenstein channels the groupâs revitalized chemistry into a body of work that beautifully balances elegant musicality with the Nationalâs more idiosyncratic impulses. Tracks such as âGrease in Your Hairâ and âIce Machinesâ were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, âWeird Goodbyesâ featuring Bon Iverâs Justin Vernon, was released as a standalone track last August). âTo me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,â says Aaron Dessner.
























