đ Up to 70% Off Selected ItemsShop Sale



Studio One Funk
18 years on from its original release, âStudio One Funkâ remains one of Soul Jazz Recordsâ most in demand Studio One titles.
âStudio One Funkâ is made up of rare and unreleased reggae funk from the vaults of Studio One. Ever since the birth of funk in America, the sound has been an ever-present ingredient in the melting pot of Studio Oneâs musical output.
The music on this release is a combination of originals, US covers and versions of existing Studio One cuts. Jackie Mittoo shows his appreciation for Booker T and The MGs, the studio group at Memphisâ famous Stax Records, with âHang âEm Highâ, itself a cover of a film soundtrack by Dominic Frontiere. Incredibly this version has never before been released. Booker Tâs super funky âMelting Potâ is also covered by the little-known Underground Vegetables.
Other versions include Isaac Hayesâ classic Blaxploitation soundtrack âShaftâ, again by Cedric Im Brooks, another unreleased gem, straight from the tape master. Motown gets a look in with Altonâs stripped-down version of the Spinners classic, âItâs A Shameâ, written by Stevie Wonder and Syreeta.
James Brown is apparent in spirit with the JBs-inspired groove on the super rare cut, âNowâ, by Lee Arab. Lloyd Williams similarly does a fine Kingston-style version of the hardest-working man in showbusiness on âReggae Feetâ.
Version-wise, we have âIdlebergâ, Cedric Im Brooksâ tough instrumental cut on Horace Andyâs seminal âSkylarkingâ. The little-known Prince Moonie gives us a rare DJ cut of another Horace Andy classic, âSee A Manâs Faceâ.
Pablove Blackâs cut of Sidewalk Doctor (aka Poco Tempo) is one of a handful of Studio One releases featuring Augustus Pabloâs trademark instrument, the melodica, played by Black himself.
Add to these original cuts from Studio Oneâs heavyweight session players, including Leroy Sibbles, Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy âHorsemouthâ Wallace, Richard Ace, Vin Gordon and more, and you have one of the finest selections of reggae and funk you will ever hear.
âAn absolute treasure trove for the collector as well as being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is worth the price of the album on its own.â - Echoes
âA superb collection that shows how much many Jamaican musicians were influenced by the heavy funk belting out of American studios from the early seventies onwards.â - Touch
âThe most satisfying listening experience so far in the Studio One series.â - The Wire
âStudio One Funkâ is made up of rare and unreleased reggae funk from the vaults of Studio One. Ever since the birth of funk in America, the sound has been an ever-present ingredient in the melting pot of Studio Oneâs musical output.
The music on this release is a combination of originals, US covers and versions of existing Studio One cuts. Jackie Mittoo shows his appreciation for Booker T and The MGs, the studio group at Memphisâ famous Stax Records, with âHang âEm Highâ, itself a cover of a film soundtrack by Dominic Frontiere. Incredibly this version has never before been released. Booker Tâs super funky âMelting Potâ is also covered by the little-known Underground Vegetables.
Other versions include Isaac Hayesâ classic Blaxploitation soundtrack âShaftâ, again by Cedric Im Brooks, another unreleased gem, straight from the tape master. Motown gets a look in with Altonâs stripped-down version of the Spinners classic, âItâs A Shameâ, written by Stevie Wonder and Syreeta.
James Brown is apparent in spirit with the JBs-inspired groove on the super rare cut, âNowâ, by Lee Arab. Lloyd Williams similarly does a fine Kingston-style version of the hardest-working man in showbusiness on âReggae Feetâ.
Version-wise, we have âIdlebergâ, Cedric Im Brooksâ tough instrumental cut on Horace Andyâs seminal âSkylarkingâ. The little-known Prince Moonie gives us a rare DJ cut of another Horace Andy classic, âSee A Manâs Faceâ.
Pablove Blackâs cut of Sidewalk Doctor (aka Poco Tempo) is one of a handful of Studio One releases featuring Augustus Pabloâs trademark instrument, the melodica, played by Black himself.
Add to these original cuts from Studio Oneâs heavyweight session players, including Leroy Sibbles, Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy âHorsemouthâ Wallace, Richard Ace, Vin Gordon and more, and you have one of the finest selections of reggae and funk you will ever hear.
âAn absolute treasure trove for the collector as well as being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is worth the price of the album on its own.â - Echoes
âA superb collection that shows how much many Jamaican musicians were influenced by the heavy funk belting out of American studios from the early seventies onwards.â - Touch
âThe most satisfying listening experience so far in the Studio One series.â - The Wire
$5.57
Original: $18.55
-70%Studio One Funkâ
$18.55
$5.57Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
18 years on from its original release, âStudio One Funkâ remains one of Soul Jazz Recordsâ most in demand Studio One titles.
âStudio One Funkâ is made up of rare and unreleased reggae funk from the vaults of Studio One. Ever since the birth of funk in America, the sound has been an ever-present ingredient in the melting pot of Studio Oneâs musical output.
The music on this release is a combination of originals, US covers and versions of existing Studio One cuts. Jackie Mittoo shows his appreciation for Booker T and The MGs, the studio group at Memphisâ famous Stax Records, with âHang âEm Highâ, itself a cover of a film soundtrack by Dominic Frontiere. Incredibly this version has never before been released. Booker Tâs super funky âMelting Potâ is also covered by the little-known Underground Vegetables.
Other versions include Isaac Hayesâ classic Blaxploitation soundtrack âShaftâ, again by Cedric Im Brooks, another unreleased gem, straight from the tape master. Motown gets a look in with Altonâs stripped-down version of the Spinners classic, âItâs A Shameâ, written by Stevie Wonder and Syreeta.
James Brown is apparent in spirit with the JBs-inspired groove on the super rare cut, âNowâ, by Lee Arab. Lloyd Williams similarly does a fine Kingston-style version of the hardest-working man in showbusiness on âReggae Feetâ.
Version-wise, we have âIdlebergâ, Cedric Im Brooksâ tough instrumental cut on Horace Andyâs seminal âSkylarkingâ. The little-known Prince Moonie gives us a rare DJ cut of another Horace Andy classic, âSee A Manâs Faceâ.
Pablove Blackâs cut of Sidewalk Doctor (aka Poco Tempo) is one of a handful of Studio One releases featuring Augustus Pabloâs trademark instrument, the melodica, played by Black himself.
Add to these original cuts from Studio Oneâs heavyweight session players, including Leroy Sibbles, Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy âHorsemouthâ Wallace, Richard Ace, Vin Gordon and more, and you have one of the finest selections of reggae and funk you will ever hear.
âAn absolute treasure trove for the collector as well as being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is worth the price of the album on its own.â - Echoes
âA superb collection that shows how much many Jamaican musicians were influenced by the heavy funk belting out of American studios from the early seventies onwards.â - Touch
âThe most satisfying listening experience so far in the Studio One series.â - The Wire
âStudio One Funkâ is made up of rare and unreleased reggae funk from the vaults of Studio One. Ever since the birth of funk in America, the sound has been an ever-present ingredient in the melting pot of Studio Oneâs musical output.
The music on this release is a combination of originals, US covers and versions of existing Studio One cuts. Jackie Mittoo shows his appreciation for Booker T and The MGs, the studio group at Memphisâ famous Stax Records, with âHang âEm Highâ, itself a cover of a film soundtrack by Dominic Frontiere. Incredibly this version has never before been released. Booker Tâs super funky âMelting Potâ is also covered by the little-known Underground Vegetables.
Other versions include Isaac Hayesâ classic Blaxploitation soundtrack âShaftâ, again by Cedric Im Brooks, another unreleased gem, straight from the tape master. Motown gets a look in with Altonâs stripped-down version of the Spinners classic, âItâs A Shameâ, written by Stevie Wonder and Syreeta.
James Brown is apparent in spirit with the JBs-inspired groove on the super rare cut, âNowâ, by Lee Arab. Lloyd Williams similarly does a fine Kingston-style version of the hardest-working man in showbusiness on âReggae Feetâ.
Version-wise, we have âIdlebergâ, Cedric Im Brooksâ tough instrumental cut on Horace Andyâs seminal âSkylarkingâ. The little-known Prince Moonie gives us a rare DJ cut of another Horace Andy classic, âSee A Manâs Faceâ.
Pablove Blackâs cut of Sidewalk Doctor (aka Poco Tempo) is one of a handful of Studio One releases featuring Augustus Pabloâs trademark instrument, the melodica, played by Black himself.
Add to these original cuts from Studio Oneâs heavyweight session players, including Leroy Sibbles, Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy âHorsemouthâ Wallace, Richard Ace, Vin Gordon and more, and you have one of the finest selections of reggae and funk you will ever hear.
âAn absolute treasure trove for the collector as well as being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is worth the price of the album on its own.â - Echoes
âA superb collection that shows how much many Jamaican musicians were influenced by the heavy funk belting out of American studios from the early seventies onwards.â - Touch
âThe most satisfying listening experience so far in the Studio One series.â - The Wire
























