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Mi Specchio E Rifletto
Inspired by the poetry of Alda Merini and her studies with composer Garret List, Italian violinist-composer Silvia Tarozzi turned to the song form after being involved for many years in contemporary music and free improvisation. Over the course of nearly a decade, Tarozzi practiced setting the poetry of Alda Merini to music and then replacing it with her own to reļ¬ect her own life experiences. As a result, Mi specchio e riļ¬etto is a wondrous combination of baroque folk, avant-garde, and progressive music art-song that feels both poetic and earnestly autobiographical. Echoes of past masterpieces reverberate throughout: the gentle chamber explorations of Penguin Cafe Orchestra, the science ļ¬ction of Franco Battiatoās 'Fetus', the abstract free jazz ļ¬ourishes of Maria Montiās 'Il Bestiario', the sweetness of Caterina Casseliās 'Primavera'.
As a solo performer, Tarozzi is a long time collaborator with composers Eliane Radigue, Pascale Criton, Cassandra Miller and Martin Arnold. In duo with Deborah Walker, and as a member of Ensemble Dedalus, she has worked with Christian Wolff, JĆ¼rg Frey, Michael Pisaro, Catherine Lamb, SĆ©bastien Roux, and many others. She previously released Philip Corner 'Extreemizms: early & late' on Unseen Worlds in 2018.
As a solo performer, Tarozzi is a long time collaborator with composers Eliane Radigue, Pascale Criton, Cassandra Miller and Martin Arnold. In duo with Deborah Walker, and as a member of Ensemble Dedalus, she has worked with Christian Wolff, JĆ¼rg Frey, Michael Pisaro, Catherine Lamb, SĆ©bastien Roux, and many others. She previously released Philip Corner 'Extreemizms: early & late' on Unseen Worlds in 2018.
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Description
Inspired by the poetry of Alda Merini and her studies with composer Garret List, Italian violinist-composer Silvia Tarozzi turned to the song form after being involved for many years in contemporary music and free improvisation. Over the course of nearly a decade, Tarozzi practiced setting the poetry of Alda Merini to music and then replacing it with her own to reļ¬ect her own life experiences. As a result, Mi specchio e riļ¬etto is a wondrous combination of baroque folk, avant-garde, and progressive music art-song that feels both poetic and earnestly autobiographical. Echoes of past masterpieces reverberate throughout: the gentle chamber explorations of Penguin Cafe Orchestra, the science ļ¬ction of Franco Battiatoās 'Fetus', the abstract free jazz ļ¬ourishes of Maria Montiās 'Il Bestiario', the sweetness of Caterina Casseliās 'Primavera'.
As a solo performer, Tarozzi is a long time collaborator with composers Eliane Radigue, Pascale Criton, Cassandra Miller and Martin Arnold. In duo with Deborah Walker, and as a member of Ensemble Dedalus, she has worked with Christian Wolff, JĆ¼rg Frey, Michael Pisaro, Catherine Lamb, SĆ©bastien Roux, and many others. She previously released Philip Corner 'Extreemizms: early & late' on Unseen Worlds in 2018.
As a solo performer, Tarozzi is a long time collaborator with composers Eliane Radigue, Pascale Criton, Cassandra Miller and Martin Arnold. In duo with Deborah Walker, and as a member of Ensemble Dedalus, she has worked with Christian Wolff, JĆ¼rg Frey, Michael Pisaro, Catherine Lamb, SĆ©bastien Roux, and many others. She previously released Philip Corner 'Extreemizms: early & late' on Unseen Worlds in 2018.
