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Silver Ladders
Los Angeles-based harpist Mary Lattimore returns with Silver Ladders, the full-length follow-up to acclaimed album Hundreds of Days. Since 2018, Lattimore has toured internationally, released collaborative albums with artists such as Meg Baird and Mac McCaughan, and shared a friends-based remix album featuring artists such as JĆ³nsi and Julianna Barwick. At one of her festival appearances, Lattimore met Slowdiveās Neil Halstead: āA friend introduced us because she knew how big of a fan I was and Neil and I had a little chat... The next day, I just thought maybe heād be into producing my next record.ā He was. Lattimore traditionally records her albums holed up by herself, so the addition of Halsteadās touches as a producer and collaborator leave a profound trace.
Recorded over nine days at Halsteadās studio stationed on an old airfield, Silver Ladders finds Lattimore exercising command and restraint. Her signature style is refined, the sprawling layers of harp reigned in and accented by flourishes of low end synth and Halsteadās guitar. The music can feel ominous but not by compromising vivid wonder, like oceanic overtones that shift with the tides.
Recorded over nine days at Halsteadās studio stationed on an old airfield, Silver Ladders finds Lattimore exercising command and restraint. Her signature style is refined, the sprawling layers of harp reigned in and accented by flourishes of low end synth and Halsteadās guitar. The music can feel ominous but not by compromising vivid wonder, like oceanic overtones that shift with the tides.
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Description
Los Angeles-based harpist Mary Lattimore returns with Silver Ladders, the full-length follow-up to acclaimed album Hundreds of Days. Since 2018, Lattimore has toured internationally, released collaborative albums with artists such as Meg Baird and Mac McCaughan, and shared a friends-based remix album featuring artists such as JĆ³nsi and Julianna Barwick. At one of her festival appearances, Lattimore met Slowdiveās Neil Halstead: āA friend introduced us because she knew how big of a fan I was and Neil and I had a little chat... The next day, I just thought maybe heād be into producing my next record.ā He was. Lattimore traditionally records her albums holed up by herself, so the addition of Halsteadās touches as a producer and collaborator leave a profound trace.
Recorded over nine days at Halsteadās studio stationed on an old airfield, Silver Ladders finds Lattimore exercising command and restraint. Her signature style is refined, the sprawling layers of harp reigned in and accented by flourishes of low end synth and Halsteadās guitar. The music can feel ominous but not by compromising vivid wonder, like oceanic overtones that shift with the tides.
Recorded over nine days at Halsteadās studio stationed on an old airfield, Silver Ladders finds Lattimore exercising command and restraint. Her signature style is refined, the sprawling layers of harp reigned in and accented by flourishes of low end synth and Halsteadās guitar. The music can feel ominous but not by compromising vivid wonder, like oceanic overtones that shift with the tides.
