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Erangal
Erangal is an experimental horror film directed by Kevin Brennan and scored by Lugh O’Neill. Constructed in a part documentary, part scripted format the film is fractured and episodic, unfolding in frantic fever dreams; creating distorted renderings of time, place and character.
The multiple scenes and vignettes in the film are connected through the traversal of a red hooded avatar, who progresses across various landscapes, observing the environmental and moral decay of the world of Erangal.
Through the transposition of actions seen in video games to physical bodies, Erangal grapples with the idea of virtual violence as a form of expression and identity whilst scrutinising the predominantly male ‘gamer-bro’ archetype synonymous with these online cultures.
The multiple scenes and vignettes in the film are connected through the traversal of a red hooded avatar, who progresses across various landscapes, observing the environmental and moral decay of the world of Erangal.
Through the transposition of actions seen in video games to physical bodies, Erangal grapples with the idea of virtual violence as a form of expression and identity whilst scrutinising the predominantly male ‘gamer-bro’ archetype synonymous with these online cultures.
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Description
Erangal is an experimental horror film directed by Kevin Brennan and scored by Lugh O’Neill. Constructed in a part documentary, part scripted format the film is fractured and episodic, unfolding in frantic fever dreams; creating distorted renderings of time, place and character.
The multiple scenes and vignettes in the film are connected through the traversal of a red hooded avatar, who progresses across various landscapes, observing the environmental and moral decay of the world of Erangal.
Through the transposition of actions seen in video games to physical bodies, Erangal grapples with the idea of virtual violence as a form of expression and identity whilst scrutinising the predominantly male ‘gamer-bro’ archetype synonymous with these online cultures.
The multiple scenes and vignettes in the film are connected through the traversal of a red hooded avatar, who progresses across various landscapes, observing the environmental and moral decay of the world of Erangal.
Through the transposition of actions seen in video games to physical bodies, Erangal grapples with the idea of virtual violence as a form of expression and identity whilst scrutinising the predominantly male ‘gamer-bro’ archetype synonymous with these online cultures.
