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Point Of Entry
Melody As Truth founder Jonny Nash returns to action with his first solo album in four years.
Over the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised âpersonal folk musicâ that combines elements of traditional acoustic music with the producerâs richly immersive interpretation of ambient, a sound he has been developing for well over a decade.
From the smudged acid-folk bliss of âTheoriesâ and âEternal Lifeâ, to the layered acoustic guitars of âAll I Ever Neededâ and the delay-soaked, Durutti Column-esque âLight From Three Sidesâ, a wide variety of musical textures weave their way throughout the album.
Point of Entry is much more than a mere âguitar albumâ â it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on âDittoâ and âLight From Three Sidesâ. Cascading piano lines ripple through the crystal clear sonic waters of âFace of Anotherâ, whilst echoes of Nashâs work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of âDittoâ and âGolden Hourâ. Nashâs reverb-laden voice also appears for the first time since 2016âs critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.
Combining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nashâs most complete work to date â an album thatâs as much a statement of his âpersonal folkâ vision as a future ambient classic.
Over the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised âpersonal folk musicâ that combines elements of traditional acoustic music with the producerâs richly immersive interpretation of ambient, a sound he has been developing for well over a decade.
From the smudged acid-folk bliss of âTheoriesâ and âEternal Lifeâ, to the layered acoustic guitars of âAll I Ever Neededâ and the delay-soaked, Durutti Column-esque âLight From Three Sidesâ, a wide variety of musical textures weave their way throughout the album.
Point of Entry is much more than a mere âguitar albumâ â it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on âDittoâ and âLight From Three Sidesâ. Cascading piano lines ripple through the crystal clear sonic waters of âFace of Anotherâ, whilst echoes of Nashâs work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of âDittoâ and âGolden Hourâ. Nashâs reverb-laden voice also appears for the first time since 2016âs critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.
Combining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nashâs most complete work to date â an album thatâs as much a statement of his âpersonal folkâ vision as a future ambient classic.
$30.15
Point Of Entryâ
$30.15
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Description
Melody As Truth founder Jonny Nash returns to action with his first solo album in four years.
Over the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised âpersonal folk musicâ that combines elements of traditional acoustic music with the producerâs richly immersive interpretation of ambient, a sound he has been developing for well over a decade.
From the smudged acid-folk bliss of âTheoriesâ and âEternal Lifeâ, to the layered acoustic guitars of âAll I Ever Neededâ and the delay-soaked, Durutti Column-esque âLight From Three Sidesâ, a wide variety of musical textures weave their way throughout the album.
Point of Entry is much more than a mere âguitar albumâ â it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on âDittoâ and âLight From Three Sidesâ. Cascading piano lines ripple through the crystal clear sonic waters of âFace of Anotherâ, whilst echoes of Nashâs work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of âDittoâ and âGolden Hourâ. Nashâs reverb-laden voice also appears for the first time since 2016âs critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.
Combining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nashâs most complete work to date â an album thatâs as much a statement of his âpersonal folkâ vision as a future ambient classic.
Over the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised âpersonal folk musicâ that combines elements of traditional acoustic music with the producerâs richly immersive interpretation of ambient, a sound he has been developing for well over a decade.
From the smudged acid-folk bliss of âTheoriesâ and âEternal Lifeâ, to the layered acoustic guitars of âAll I Ever Neededâ and the delay-soaked, Durutti Column-esque âLight From Three Sidesâ, a wide variety of musical textures weave their way throughout the album.
Point of Entry is much more than a mere âguitar albumâ â it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on âDittoâ and âLight From Three Sidesâ. Cascading piano lines ripple through the crystal clear sonic waters of âFace of Anotherâ, whilst echoes of Nashâs work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of âDittoâ and âGolden Hourâ. Nashâs reverb-laden voice also appears for the first time since 2016âs critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.
Combining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nashâs most complete work to date â an album thatâs as much a statement of his âpersonal folkâ vision as a future ambient classic.
