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Music For Psychedelic Therapy

Music For Psychedelic Therapy

Music for Psychedelic Therapy is Hopkins’ first full-length since sister albums, the GRAMMY-nominated Singularity (2018) and Immunity (2013). For this collection, Hopkins wanted to make something that faced the opposite direction, something egoless and introspective, made with total, raw honesty. ā€œIt felt like time for a reset, to wait for music to appear from a different place,ā€ says Hopkins. That place ended up being Tayos Caves in Ecuador, where Hopkins went on a life-changing creative expedition in 2018.

ā€œā€˜Sit Around The Fire’ exists from one of the deep synchronicities that ushered this thing (Music For Psychedelic Therapy) into being,ā€ comments Hopkins. ā€œI was contacted by East Forest, who had spent some time with Ram Dass in Hawaii before he passed. He was given access to several lesser-heard talks from the 70s, and asked to set them to music. He sent me some starting points, including the beautiful choral vocals he recorded which open the piece. I put my headphones on and with Ram Dass’ voice inside my head, I sat at the piano and improvised. What you hear is the first thing that came out - it just appeared in response to the words.ā€
$36.53
Music For Psychedelic Therapy—
$36.53

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Music for Psychedelic Therapy is Hopkins’ first full-length since sister albums, the GRAMMY-nominated Singularity (2018) and Immunity (2013). For this collection, Hopkins wanted to make something that faced the opposite direction, something egoless and introspective, made with total, raw honesty. ā€œIt felt like time for a reset, to wait for music to appear from a different place,ā€ says Hopkins. That place ended up being Tayos Caves in Ecuador, where Hopkins went on a life-changing creative expedition in 2018.

ā€œā€˜Sit Around The Fire’ exists from one of the deep synchronicities that ushered this thing (Music For Psychedelic Therapy) into being,ā€ comments Hopkins. ā€œI was contacted by East Forest, who had spent some time with Ram Dass in Hawaii before he passed. He was given access to several lesser-heard talks from the 70s, and asked to set them to music. He sent me some starting points, including the beautiful choral vocals he recorded which open the piece. I put my headphones on and with Ram Dass’ voice inside my head, I sat at the piano and improvised. What you hear is the first thing that came out - it just appeared in response to the words.ā€