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Flow Mechanics
At the very coalface of the UK rave/breakbeat/techno/call it what you like scene since the 1990s, Jerome Hill is something of a hidden treasure amongst the plethora of DJs and producers to have dropped both bangers and bloopers over the ensuing three decades. With minimum of fuss and fanfare, Hill has steered record labels like Super Rhythm Trax, Donât, Fat Hop and Hornsey Hardcore to revered acclaim, as well as firing out a consistent stream of releases for imprints such as Matthew Herbertâs Accidental Jr, Exalt Records, and I Love Acid, to name but a few.
Surprisingly, âFlow Mechanicsâ is Hillâs debut album after a production career that kicked off in 1998 as one half of Groove Asylum. And its collection of unabashed acid and rave bangers is a perfect fit for the Hypercolour label, whose personnel over the last few years has included Luke Vibert, DMX Krew, Shelley Parker and Gary Gritness. Tracks produced directly for club play; the album features 8 cuts destined to fit in cross-genre sets.
With pumping electro cuts such as âDeafening Lullâ and âKnob Jitterâ, four to the floor acid stompers like âWalk The Plankâ, the mutant garage of âBrought Up Badlyâ and the house groover âStax Had The Funkâ, âFlow Mechanicsâ is a joyous romp through raveâs sound palette, replete with playful samples and skits (featured on the vinyl LP version), and a mischievous demeanour that affords the listener an lively album that doesnât take itself too seriously.
Surprisingly, âFlow Mechanicsâ is Hillâs debut album after a production career that kicked off in 1998 as one half of Groove Asylum. And its collection of unabashed acid and rave bangers is a perfect fit for the Hypercolour label, whose personnel over the last few years has included Luke Vibert, DMX Krew, Shelley Parker and Gary Gritness. Tracks produced directly for club play; the album features 8 cuts destined to fit in cross-genre sets.
With pumping electro cuts such as âDeafening Lullâ and âKnob Jitterâ, four to the floor acid stompers like âWalk The Plankâ, the mutant garage of âBrought Up Badlyâ and the house groover âStax Had The Funkâ, âFlow Mechanicsâ is a joyous romp through raveâs sound palette, replete with playful samples and skits (featured on the vinyl LP version), and a mischievous demeanour that affords the listener an lively album that doesnât take itself too seriously.
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$33.05
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Description
At the very coalface of the UK rave/breakbeat/techno/call it what you like scene since the 1990s, Jerome Hill is something of a hidden treasure amongst the plethora of DJs and producers to have dropped both bangers and bloopers over the ensuing three decades. With minimum of fuss and fanfare, Hill has steered record labels like Super Rhythm Trax, Donât, Fat Hop and Hornsey Hardcore to revered acclaim, as well as firing out a consistent stream of releases for imprints such as Matthew Herbertâs Accidental Jr, Exalt Records, and I Love Acid, to name but a few.
Surprisingly, âFlow Mechanicsâ is Hillâs debut album after a production career that kicked off in 1998 as one half of Groove Asylum. And its collection of unabashed acid and rave bangers is a perfect fit for the Hypercolour label, whose personnel over the last few years has included Luke Vibert, DMX Krew, Shelley Parker and Gary Gritness. Tracks produced directly for club play; the album features 8 cuts destined to fit in cross-genre sets.
With pumping electro cuts such as âDeafening Lullâ and âKnob Jitterâ, four to the floor acid stompers like âWalk The Plankâ, the mutant garage of âBrought Up Badlyâ and the house groover âStax Had The Funkâ, âFlow Mechanicsâ is a joyous romp through raveâs sound palette, replete with playful samples and skits (featured on the vinyl LP version), and a mischievous demeanour that affords the listener an lively album that doesnât take itself too seriously.
Surprisingly, âFlow Mechanicsâ is Hillâs debut album after a production career that kicked off in 1998 as one half of Groove Asylum. And its collection of unabashed acid and rave bangers is a perfect fit for the Hypercolour label, whose personnel over the last few years has included Luke Vibert, DMX Krew, Shelley Parker and Gary Gritness. Tracks produced directly for club play; the album features 8 cuts destined to fit in cross-genre sets.
With pumping electro cuts such as âDeafening Lullâ and âKnob Jitterâ, four to the floor acid stompers like âWalk The Plankâ, the mutant garage of âBrought Up Badlyâ and the house groover âStax Had The Funkâ, âFlow Mechanicsâ is a joyous romp through raveâs sound palette, replete with playful samples and skits (featured on the vinyl LP version), and a mischievous demeanour that affords the listener an lively album that doesnât take itself too seriously.
