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Come Around
Carla dal Forno resurfaces with the release of her third album, Come Around, via her own Kallista Records. Now based in the township of Castlemaine, Central Victoria, the Australian artist returns self-assured and firmly settled within the dense eucalypt bushlands. Dal Forno grapples with ideas of home, disorder and insomnia in the swift pop structures of her DIY/post-punk forebearers such as Young Marble Giants, Virginia Astley and Broadcast. Three years since the launch of her label, Kallista Records, dal Forno finds stability in Castlemaine (pop. 6,750), her third home city in as many albums.
After nearly a decade of moving, recording and touring out of Berlin and London, Come Around embodies a newfound solitude born of/in elemental pop hooks and enlightened songwriting. The title track, āCome Around,ā offers the best example of this confident, fresh candor. Itās an elegant invite into dal Fornoās sharp new focus beckoning old friends, relationships and audiences into her resettled home: āAnd itās not every day that Iāll want you beside me here and Iāll say / Come over here and be around.ā This meandering pop hit strikes between the melodic simplicity of Anna Domino and YMG and the arrangement hooks of The Cannanes and Movietone, capturing dal Forno at her most welcoming with arms wide open.
Having embarked on such a radical physical and creative journey since the last record, dal Forno lays bare the passing of time and the oscillating waves of energy and ennui that go with it. This is plain to see on āStay Awakeā and instrumentals like āDeep Sleepā and āAutumn,ā which gives rise to anxiety and insomnia in her new sunburnt home: āStay awake all the time in the endless heat / Find it hard to relate in amongst the weeds.ā Yet āSlumberā offers a glimmer of respite sitting within the chaotic circus of production that channels Kendra Smith, General Strike and The Flying Lizards. This track, a duet with English artist, Thomas Bush, searches for solace in the arms of another: āMy Dear thereās so much to be done / I never finished what I start am / Iām losing / I should be rushing out the door, but you say slumber.ā Nothing is left unsaid on Come Around. Having finally found limitless time and space, dal Forno does well not to waste any sceric of it. Are you around? Then come around.
After nearly a decade of moving, recording and touring out of Berlin and London, Come Around embodies a newfound solitude born of/in elemental pop hooks and enlightened songwriting. The title track, āCome Around,ā offers the best example of this confident, fresh candor. Itās an elegant invite into dal Fornoās sharp new focus beckoning old friends, relationships and audiences into her resettled home: āAnd itās not every day that Iāll want you beside me here and Iāll say / Come over here and be around.ā This meandering pop hit strikes between the melodic simplicity of Anna Domino and YMG and the arrangement hooks of The Cannanes and Movietone, capturing dal Forno at her most welcoming with arms wide open.
Having embarked on such a radical physical and creative journey since the last record, dal Forno lays bare the passing of time and the oscillating waves of energy and ennui that go with it. This is plain to see on āStay Awakeā and instrumentals like āDeep Sleepā and āAutumn,ā which gives rise to anxiety and insomnia in her new sunburnt home: āStay awake all the time in the endless heat / Find it hard to relate in amongst the weeds.ā Yet āSlumberā offers a glimmer of respite sitting within the chaotic circus of production that channels Kendra Smith, General Strike and The Flying Lizards. This track, a duet with English artist, Thomas Bush, searches for solace in the arms of another: āMy Dear thereās so much to be done / I never finished what I start am / Iām losing / I should be rushing out the door, but you say slumber.ā Nothing is left unsaid on Come Around. Having finally found limitless time and space, dal Forno does well not to waste any sceric of it. Are you around? Then come around.
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Description
Carla dal Forno resurfaces with the release of her third album, Come Around, via her own Kallista Records. Now based in the township of Castlemaine, Central Victoria, the Australian artist returns self-assured and firmly settled within the dense eucalypt bushlands. Dal Forno grapples with ideas of home, disorder and insomnia in the swift pop structures of her DIY/post-punk forebearers such as Young Marble Giants, Virginia Astley and Broadcast. Three years since the launch of her label, Kallista Records, dal Forno finds stability in Castlemaine (pop. 6,750), her third home city in as many albums.
After nearly a decade of moving, recording and touring out of Berlin and London, Come Around embodies a newfound solitude born of/in elemental pop hooks and enlightened songwriting. The title track, āCome Around,ā offers the best example of this confident, fresh candor. Itās an elegant invite into dal Fornoās sharp new focus beckoning old friends, relationships and audiences into her resettled home: āAnd itās not every day that Iāll want you beside me here and Iāll say / Come over here and be around.ā This meandering pop hit strikes between the melodic simplicity of Anna Domino and YMG and the arrangement hooks of The Cannanes and Movietone, capturing dal Forno at her most welcoming with arms wide open.
Having embarked on such a radical physical and creative journey since the last record, dal Forno lays bare the passing of time and the oscillating waves of energy and ennui that go with it. This is plain to see on āStay Awakeā and instrumentals like āDeep Sleepā and āAutumn,ā which gives rise to anxiety and insomnia in her new sunburnt home: āStay awake all the time in the endless heat / Find it hard to relate in amongst the weeds.ā Yet āSlumberā offers a glimmer of respite sitting within the chaotic circus of production that channels Kendra Smith, General Strike and The Flying Lizards. This track, a duet with English artist, Thomas Bush, searches for solace in the arms of another: āMy Dear thereās so much to be done / I never finished what I start am / Iām losing / I should be rushing out the door, but you say slumber.ā Nothing is left unsaid on Come Around. Having finally found limitless time and space, dal Forno does well not to waste any sceric of it. Are you around? Then come around.
After nearly a decade of moving, recording and touring out of Berlin and London, Come Around embodies a newfound solitude born of/in elemental pop hooks and enlightened songwriting. The title track, āCome Around,ā offers the best example of this confident, fresh candor. Itās an elegant invite into dal Fornoās sharp new focus beckoning old friends, relationships and audiences into her resettled home: āAnd itās not every day that Iāll want you beside me here and Iāll say / Come over here and be around.ā This meandering pop hit strikes between the melodic simplicity of Anna Domino and YMG and the arrangement hooks of The Cannanes and Movietone, capturing dal Forno at her most welcoming with arms wide open.
Having embarked on such a radical physical and creative journey since the last record, dal Forno lays bare the passing of time and the oscillating waves of energy and ennui that go with it. This is plain to see on āStay Awakeā and instrumentals like āDeep Sleepā and āAutumn,ā which gives rise to anxiety and insomnia in her new sunburnt home: āStay awake all the time in the endless heat / Find it hard to relate in amongst the weeds.ā Yet āSlumberā offers a glimmer of respite sitting within the chaotic circus of production that channels Kendra Smith, General Strike and The Flying Lizards. This track, a duet with English artist, Thomas Bush, searches for solace in the arms of another: āMy Dear thereās so much to be done / I never finished what I start am / Iām losing / I should be rushing out the door, but you say slumber.ā Nothing is left unsaid on Come Around. Having finally found limitless time and space, dal Forno does well not to waste any sceric of it. Are you around? Then come around.
























