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Heritage Of The Invisible Il
"Heritage of the Invisible II" follows Navarro and Holmesās rise to prominence as members of free jazz collective Irreversible Entanglements. In March of 2020 in "The Nation" writer Marcus J. Moore said "Irreversible Entanglementsā fearless music takes to task the police, American politics, capitalism, and racism." The revolutionary ethos that drives Irreversible Entanglements is no less present in Navarro and Holmesās duo work, though their duo finds them much more wholeheartedly and jubilantly embracing their Latin and Afro-Caribbean foundations.
The tracks flash by in a rapturous onslaught, crystalizing in incantations by Spanish poet Marcos de la Fuente (an apocalyptic fever dream on āInitial Meditationā), vocalist Brigitte Zozula (the bliss of bustling nightlife on āA Night in NYā), Navarroās mentor and collaborator Carlos Garnett (the banality of economics on ā$$$ /// billeteā) and their own musings on friendship and community (the stoned soul picnic of āPlantainsā). Of the albumās de facto anthem āPueblo,ā Navarro says āitās a celebration of life, the coming together of the people, el pueblo, a celebration of who we are, where we come from, itās our pueblo, our people, a feeling of openness, hope, and a future of unity from el pueblo, the people.ā Identifying as active listeners and audience members as well, Navarro and Holmes step back on āM.O.N.K (Most Only Never Knew)ā to shine a light on the solo improvisation of pianist/composer Nick Sanders. On the 8-minute duet āNavarroholmes,ā the two players reach a summit as they face off in spirited alliance, conjuring visions of legendary free jazz telepathics ā Braxton and Roach, Coltrane and Ali, Cherry and Blackwell.
Navarro and Holmes never idle on "Heritage of the Invisible II," choosing instead to ponder their origins in a devout charge of ecstatic cooperation. Meditating on the unseen constructive forces of culture and rhythm as a cadence encoded in oneās heritage, with "Heritage of the Invisible II" they share a volume of their story in rich color ā a brilliantly imagined testament to generations of memory, creation and existential joy.ā
The tracks flash by in a rapturous onslaught, crystalizing in incantations by Spanish poet Marcos de la Fuente (an apocalyptic fever dream on āInitial Meditationā), vocalist Brigitte Zozula (the bliss of bustling nightlife on āA Night in NYā), Navarroās mentor and collaborator Carlos Garnett (the banality of economics on ā$$$ /// billeteā) and their own musings on friendship and community (the stoned soul picnic of āPlantainsā). Of the albumās de facto anthem āPueblo,ā Navarro says āitās a celebration of life, the coming together of the people, el pueblo, a celebration of who we are, where we come from, itās our pueblo, our people, a feeling of openness, hope, and a future of unity from el pueblo, the people.ā Identifying as active listeners and audience members as well, Navarro and Holmes step back on āM.O.N.K (Most Only Never Knew)ā to shine a light on the solo improvisation of pianist/composer Nick Sanders. On the 8-minute duet āNavarroholmes,ā the two players reach a summit as they face off in spirited alliance, conjuring visions of legendary free jazz telepathics ā Braxton and Roach, Coltrane and Ali, Cherry and Blackwell.
Navarro and Holmes never idle on "Heritage of the Invisible II," choosing instead to ponder their origins in a devout charge of ecstatic cooperation. Meditating on the unseen constructive forces of culture and rhythm as a cadence encoded in oneās heritage, with "Heritage of the Invisible II" they share a volume of their story in rich color ā a brilliantly imagined testament to generations of memory, creation and existential joy.ā
$35.95
Heritage Of The Invisible Ilā
$35.95
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"Heritage of the Invisible II" follows Navarro and Holmesās rise to prominence as members of free jazz collective Irreversible Entanglements. In March of 2020 in "The Nation" writer Marcus J. Moore said "Irreversible Entanglementsā fearless music takes to task the police, American politics, capitalism, and racism." The revolutionary ethos that drives Irreversible Entanglements is no less present in Navarro and Holmesās duo work, though their duo finds them much more wholeheartedly and jubilantly embracing their Latin and Afro-Caribbean foundations.
The tracks flash by in a rapturous onslaught, crystalizing in incantations by Spanish poet Marcos de la Fuente (an apocalyptic fever dream on āInitial Meditationā), vocalist Brigitte Zozula (the bliss of bustling nightlife on āA Night in NYā), Navarroās mentor and collaborator Carlos Garnett (the banality of economics on ā$$$ /// billeteā) and their own musings on friendship and community (the stoned soul picnic of āPlantainsā). Of the albumās de facto anthem āPueblo,ā Navarro says āitās a celebration of life, the coming together of the people, el pueblo, a celebration of who we are, where we come from, itās our pueblo, our people, a feeling of openness, hope, and a future of unity from el pueblo, the people.ā Identifying as active listeners and audience members as well, Navarro and Holmes step back on āM.O.N.K (Most Only Never Knew)ā to shine a light on the solo improvisation of pianist/composer Nick Sanders. On the 8-minute duet āNavarroholmes,ā the two players reach a summit as they face off in spirited alliance, conjuring visions of legendary free jazz telepathics ā Braxton and Roach, Coltrane and Ali, Cherry and Blackwell.
Navarro and Holmes never idle on "Heritage of the Invisible II," choosing instead to ponder their origins in a devout charge of ecstatic cooperation. Meditating on the unseen constructive forces of culture and rhythm as a cadence encoded in oneās heritage, with "Heritage of the Invisible II" they share a volume of their story in rich color ā a brilliantly imagined testament to generations of memory, creation and existential joy.ā
The tracks flash by in a rapturous onslaught, crystalizing in incantations by Spanish poet Marcos de la Fuente (an apocalyptic fever dream on āInitial Meditationā), vocalist Brigitte Zozula (the bliss of bustling nightlife on āA Night in NYā), Navarroās mentor and collaborator Carlos Garnett (the banality of economics on ā$$$ /// billeteā) and their own musings on friendship and community (the stoned soul picnic of āPlantainsā). Of the albumās de facto anthem āPueblo,ā Navarro says āitās a celebration of life, the coming together of the people, el pueblo, a celebration of who we are, where we come from, itās our pueblo, our people, a feeling of openness, hope, and a future of unity from el pueblo, the people.ā Identifying as active listeners and audience members as well, Navarro and Holmes step back on āM.O.N.K (Most Only Never Knew)ā to shine a light on the solo improvisation of pianist/composer Nick Sanders. On the 8-minute duet āNavarroholmes,ā the two players reach a summit as they face off in spirited alliance, conjuring visions of legendary free jazz telepathics ā Braxton and Roach, Coltrane and Ali, Cherry and Blackwell.
Navarro and Holmes never idle on "Heritage of the Invisible II," choosing instead to ponder their origins in a devout charge of ecstatic cooperation. Meditating on the unseen constructive forces of culture and rhythm as a cadence encoded in oneās heritage, with "Heritage of the Invisible II" they share a volume of their story in rich color ā a brilliantly imagined testament to generations of memory, creation and existential joy.ā



















